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Thank you Feature Shoot and Sukruti Anah Staneley for writing this feature! Excerpt from FS:
"For her work Awhereness, Annie Ling, a Taipei-born photographer from New York, spent two months traveling through parts of Romania and Moldova to meet with the survivors of sex trafficking and listen to their stories. Using a medium format camera, Ling tries to eschew sensational images and instead approaches her subjects with a sense of quiet, acting as a listener. Through her project, she focuses on where trafficking happens and how people overcome this chapter in their life. Ling’s work traces the effect of such spaces on these women and how it shapes them."
Awhereness is currently on view as part of Take Ten, a group exhibition at ICP, from January 17 – March 15, 2015.
It's hard to believe we're already at the halfway mark of my first major solo exhibition "A Floating Population" since it opened at MOCA this past December. We've received remarkable enthusiasm and support both in the community and beyond for the show, which features around eighty images spanning four years of work in Chinatown. Through public programming, panel discussions and walking tours around the exhibition at the museum, we're able to engage audiences with this body of work in a richer and more dynamic way than ever before. What's especially exciting to me is that all new current exhibits at the museum ("Portraits of New York Chinatown" by Tomie Arai, and "The Lee Family Since 1888" show) are taking a closer look at contemporary Chinatown, making this a distinctly historical season for the museum and the neighborhood.
The show is up till April 13th, so I wholly encourage a visit to MOCA in Chinatown soon! In the meantime, thank you Fast Company Design, Epsilon Magazine (below) and countless visitors for highlighting the show thus far.